Showing posts with label Science Fiction. Show all posts
Showing posts with label Science Fiction. Show all posts

Monday, September 24, 2012

Reexamining the Outer Limits and Alien Abductions

You are about to participate in a great adventure. You are about to experience the awe and mystery which reaches from the inner mind to — The Outer Limits.
Last week I had posted a video that looked at extraterrestrial visitations over several decades of the 20th century (see this graphic) and the famous Barney and Betty Hill abduction in the 1960s, comparing their creature to that from an episode of The Outer Limits, the competitor with The Twilight Zone during the mid-1960s (and can be watched on Hulu as of the time of composition).



The Bifrost alien from
"The Bellero Shield"
After I posted that video, I had shared it with one of the best ancient astronaut/Atlantis theory skeptics, Jason Colavito, who is the author of the book The Cult of the Alien Gods. Apparently the argument that the alien creature from the episode "The Bellero Shield" (Season 1, Episode 20, which shows significant influence from Macbeth) was not the best fit, and the person that originally argued for the connection was working from memory rather than going back to the primary sources, namely watching the episode again along with others. That I did not check this and relied on a line of argument as such was not in best form, though the argument still had some weight because of the picture of the alien.

Drawing of a being that allegedly
abducted Barney and Betty Hill in 1961.
As can be seen, this creature had a bulbous head, wraparound eyes, and a lack of a nose, hair, and ears, much like the creatures described by Barney Hill when under hypnosis as well as the aliens commonly now called "the greys." So the estimation originally proposed from memory by Martin Kottmeyer in 1990 wasn't a bad one.

However, there are some disconnects between the bifrost alien (the shows uses the term to parallel the rainbow bridge of Norse myth and the laser the alien travels down to get to Earth) and the grey recounted by the Hills, and that makes Colavito's reexamination of the evidence very informative. Not only did he watch the episode of The Outer Limits again, but also other episodes close to the time when Barney Hill was to give his hypnotized testimony.

So let's compare the original proposal as well as that of Colavito's and see if we can explain the imagery the Hills claimed to have had when they were "taken" without the need to invoke something out of this world.

So, we first need to start at Barney Hill's testimony, as that is the closest we can get to the event, aliens or no. The transcript of his hypnosis therapy sessions are provided in John G. Fuller’s The Interrupted Journey (1966). On page 87 and later, we get some details of the physical characteristics of the creatures that abducted the Hills. For one, the head is round. The eyes are also slanted, though not the same as people from the Far East. The eyes in particular left a significant impression on Mr. Hill and he continuously mentions them, coming close to him, sometimes unconnected to any body at all. Mr. Hill also compared the alien to a German Nazi, and after the doctors asked we are told it had a uniform with a black scarf over its left shoulder; at least the leader is described so. The alien was also said to wear a black and shiny jacket and scarf. We get no description of hair, nose, or ears, and the drawing makes clear why.

One other details about the aliens to consider is how they communicate. According to the Hills, the creatures would talk to them using some sort of telepathy. Well, Barney said they communicated with him by telepathy, while Betty said they spoke English. But it was Barney that gave us the physical descriptions of note, so let's consider his testimony alone; otherwise with their stories at odds we have too much reason to discount it, and we wouldn't want to do that. ;)

Now, the bifrost creature from the episode "The Bellero Shield" does have a good number of the descriptive features of Barney's alien, but not all. The suit of the bifrost alien is more the space-man type, shiny silver more than black, and it speaks English (it even specifies it cannot read minds). There is also nothing menacing about it, and instead it is defensive and at the end altruistic. That seems to clash with the more insidious beings that the Hills described. And there isn't any abduction in the Outer Limits story here. So these are some significant differences.

However, this episode was transmitted 12 days before Mr. Hill gave his testimony, perhaps enough time to get lost in the details, especially in a hypnotic state? We still have the features of the head of the creature, unlike that seen in stories beforehand, so perhaps a little bit of strangeness in memory can account for what we have?

Instead of supposing peculiarities of human memory in an odd state, let's now look at what Colavito noted when he compared Mr. Hill's alien to that of another episode of The Outer Limits, this one from the very next episode "The Children of Spider County" (Season 1, Episode 21, aired 5 days before Barney Hill's testimony). The first thing that struck me is the first encounter with the alien in this show was a car driving down a country road. That already seems reminiscent of the Hill's abduction experience. There are also UFOs as lights in the sky, something like a bright planet. Again, that adds to the familiarity since the Hills likely misidentified the planet Jupiter or some other optical illusion (see Report 100-1-61, Air Intelligence Information Record).

But the monster itself needs to be examined.

First we notice the eyes. They wrap around in a very peculiar way, even more closely to the way drawn by Mr. Hill that the bifrost alien from before. And they on occasion glow, making them even more imposing. Additionally, there are prominent pupils, not apparent in the bifrost alien's eyes but notable in Barney's drawing and description. The alien also wears a black suit and tie, and this is closer to the description of the suit-wearing Nazi Barney spoke of, and again superior in connection to the bifrost alien. Barney Hill described a scarf or sash over the shoulder rather than a neck tie, and he spoke of black headgear, so the uniform isn't a perfect match. The creature has a fairly bulbous head, no hair, and an almost non-existent nose, more closely matching what Barney had drawn.

Another facet of the creature from this episode was that it would transform back and forth from a human form and the alien form. This also fits with the story told by Mr. Hill, for example when he says the eyes would go back and forth between round and slanted/wraparound. 

The creature in the episode also wants to take away the main character, take him to another planet, and the alien has already captured four other men to take back to outer space. This is far more an abduction story than the previous episode. And while the alien usually talks by spoken word, he apparently can commune with others via thought transference (to use the language from the Hill transcripts). Also, when the alien talks as a creature the mouth doesn't open-and-close, so a blurry TV signal could make the speech seem telepathic even in these cases (I actually wasn't sure when I watched, and I could see things with high quality.) The creature also had the power to control other's minds, suggesting the strength of its telepathic abilities. 

One feature that stands out that undercuts the connection is the ears, which are pointy or Spockish (the episode came out 2 years before the first episode of Star Trek) rather than non-existent. The monster also has something like insect pinchers at its mouth, something that Barney does not mention. So it's not a perfect match. However, we should consider what sorts of things humans first notice when it comes to individuals. We have a lot of wiring in our brains to notice and remember faces, and we do it in pieces. First, we note the general form with eyes, nose, and mouth, then we go into details. (This is described to some degree by V.S. Ramachandran in The Tell-Tale Brain.) The mouth also doesn't operate like our own as it does not open and close for talking, and it would open horizontally rather than vertically as human mouths are; that sort of alien feature would be harder to burn into the memory compared to the large, glowing eyes. And in this episode, we don't have clear framing of the mouth features or the ears. The first and second images of the creature provided have the ears barely noticeable, and the details of the mouth are also hard to pick up; in the 1960s, a TV would have been fuzzier, and all the more-so if the terrestrial signal wasn't great. In addition, when the alien is in creature-form, a foggy filter or layer is added, further obscuring the entity, so that the only prominent feature left are the eyes, something that is zoomed into for many of the shots, especially at the climax. At the moment of highest tension, when the alien's eyes glow and about the kill the main character, the camera is zoomed in and the mouth of the alien is blurred by the filter. That makes these auxiliary features not a kill-joy against the connection between the alien in this episode and the creature from Mr. Hill's hypnotic account.

But there is one other detail that Colavito points to that makes the connection particular interesting. Part of the story in "The Children of Spider County" is that there are several young men who are the product of intercourse between humans and the aliens from the planet Eros. (Sexy time!) But why should interstellar and inter-specie courtship matter? Well, Barney and Betty were an interracial couple, and at a time when this was not widely accepted in society (there were laws on the books in several states banning the practice, much like the laws against gay marriage today). The conclusion of the story has a half-human/half-Eros male stay with his white, female love interest, which could have had an emotional draw for Barney Hill, a black man married to a white woman. Colavito admits that he ought not read too much into a psychoanalysis of a person dead since 1969, but this does add some interesting circumstantial evidence.

There does exist one kill-joy worth considering, and that is the testimony of Betty Hill at a later date. She was asked about the show, and she claimed they had never even hear of The Outer Limits (see Jerome Clark, The UFO Book, p. 291). Then again, this was being asked of her about 30 years after the fact and after Barney had died, so this isn't particularly strong. Colavito considers the possibility of the teaser trailers for the show to be enough to connect the image of the alien to the abduction experience, but that probably won't work; doing that means we lose a lot of connecting details, including the interracial connection, the telepathy, etc.

So, the hypothesis has one weak link: did Barney Hill watch the show? Considering this to be significantly more likely than alien abductions that happen to resemble an episode of fiction a mere 5 days before testifying to it, probability swings one way very prominently.

One other interesting thing Colavito considered was another episode of The Outer Limits, this one a bit earlier than the other two mentioned. There are some points of the scientific tests done on the Hills, along with other background details, that seem to correlate between the episode "The Invisibles" (Season 1, Episode 19), which was also close in time to Barney Hill's date of testimony. This makes it appear even more-so that his account conflates several episodes of a show at the time (broadcast on ABC at 7:30 on Monday nights during the first season), all airing within weeks of when he testified. If these correlations be not imaginary, then Barney must have watched a fair bit of this show. It can't be proven, but it seems probable at this point.

So, on analysis, it seems Jason Colavito's hypothesis is significantly superior to the previous Outer Limits connection first noted in 1990. And his methods are better, going back to the primary sources to compare and contrast. I have added some other details to consider, and I think it makes the case strong enough to conclude that he is closest to the right answer of what likely influenced the Hill's testimony, at least detailing what Barney Hill said. However, it seems some of the features of the bifrost alien are an influence as well. The head of that alien is more bulbous, and later sketches done with Mr. Hill (drawn by David Baker) fit that alien rather well, especially the mouth and nose as well as the elongated head.

So, I suspect that Barney had several alien heads in mind with their most similar features all together and the others becoming more or less prominent based on his memory and what features stood out most in the episodes. The bulbous head and basic facial features of the bifrost alien stand out the most in "The Bellero Shield", while the eyes, clothing, telepathic powers, and emotional baggage of the creature in "The Children of Spider County" would leave a significant mental residue. The details from "The Invisibles" should also be added. Thus, the best explanation that fits the most data, fits with how memory works (adding together the most memorable features onto a generalized form), and with just one assumption (Barney Hill watching the show, and if he watched one episode, he probably watched several), this seems to be the best. That along with other influences, including conversations with his wife beforehand.

When we consider the lack of physical evidence, the contradictions in the Hill's stories, and their similarities explainable by the couple talking to each other for months or years before hypnotherapy, and putting it into the context of how different encounter stories were at that time, and we have strong reason to conclude that the Hills did not have an encounter with and ET.

I want to thank Jason again for letting me know about his reexamination of the case, and I would bet with my contribution things are perhaps a smigin closer to the right answer.

Tuesday, September 18, 2012

Is Warp Driving Getting Closer?

You may have noticed that Outer Space is big. I mean really, really big. To give an idea of how big, the nearest star to our solar system is in the Alpha Centauri system (the closest is Proxima Centauri), about 4.2 light-years away. That is about 25 trillion miles, and even if Voyager 1, one of the fastest probes even launched, was going in the right direction it would take about 75,000 years.

So if you wanted to go into deep space, see another civilization, and make it back before everything you ever knew was destroyed through death and decay, you will need a fast ride. But even if you had a machine that could go nearly the speed of light, observers on earth would have to wait a lifetime for you to just drop off a pizza and return from Vega, a nearby star. And if you wanted to cross the galaxy and come back, a friend on earth would have to wait over 200,000 years, even if you went light-speed. (Notice how I keep giving the time for the observer on Earth; I'm avoiding all the time dilation issues of special relativity.)

So if we really, really want to go places, we need a way to go faster than light. But Einstein's special relativity says no; anything with mass must go less than light. Wah!

But physicists are clever, and we have used Einstein's own theories to find a way. How?

Well, there is another major theory Einstein worked on, the general theory of relativity. It's taking his special relativity but making it more general. While special relativity (SR) dealt with things moving with constant velocities, general relativity (GR) also dealt with acceleration (changing velocities). Moreover, GR explains gravity. See, that Einstein guy was smart. But how can GR help us get past the problem from SR of going faster than light?

Well, there was an interesting solution to GR done by Miguel Alcubierre from Mexico (he completed his PhD in physics at Cardiff) back in 1994. In GR it is possible to mess with the fabric of space and time (space-time) in a way that stretches out space in front and crunches it up from behind. What this means is that in your own local "bubble" of space-time you travel below light-speed, but the bubble itself is flying forward and can go much faster; this is because it is the space that is in effect moving, not a body. This is shown with the Alcubierre metric.

Now, there are issues with this, one of them being the need for a significant amount of negative mass-energies. While it is possible to have negative mass-energy (such as see in the Casimir effect), it is in very small quantities. But the real problem is the quantity. The energy requirements have been explosively huge if you want a ship of any decent size. One early estimate put the mass-energy needed at 10^64 kilograms (a 1 with 64 zeroes after it), which is more than all the mass-energy in the observable universe (the mass of the Milky Way is around 10^42 kg including the dark matter)! It's not happening. Another estimate was made using different assumptions of the space-time geometry and volume inside to get mass-energies on the order of solar or planetary masses. That is still huge, but not impossible. (When I mean planetary masses, I mean turning the entire mass of the planet into pure energy, a process releasing far more than would nuclear fusion or fission.)

But now it seems a team at NASA has further tried to adjust the geometry of the space-time around such a ship to get much more useful energy scales. How small now? They are talking masses of around 1000 kg (they say around the mass of Voyager 1). For an idea of how much energy that is, I converted it to megatons of TNT and found something around 20,000. A Tsar hydrogen fusion bomb has a warhead with 50 megatons, so we are talking about 400 H-bombs. Another way to put it, this is an energy level close to how much the US consumes in a given year. That is a lot of energy, but manageable given the infrastructure.

Apparently the adjustment came in how the warping effect from the engines was distributed. They talk about using instead of a disc a more donut-like instead of flat. I haven't been able to find a published paper on this (apparently this is from a recent talk at the 100 Year Starship Symposium), but I am guessing this was figured using a computer program that will adjust how space-time is bent by changing the conditions of the ring a bit at a time and finding an optimal energy requirement. When it comes to using GR, in classes you will have to solve things by hand, but in reality computers are usually called on for figuring out solutions, especially when there isn't a simple geometry of matter being used (it's easier to figure out the solution when there is symmetry than otherwise).

This is very exciting! This is putting interstellar travel even closer into the hands of future humans. Heck, if things could be this cheery, I may get to see the first interstellar ships before I die! Come on, this would be the definition of awesome. It's also important because if humans remain on Earth we risk becoming extinct. One major disaster, such as a large asteroid impact, and we're done.

Of course, much testing is needed. Harold "Sonny" White, who made the announcement, is talking of using lasers in the lab to perturb space-time on very small scales to see if he can get the idea to work. But again, on very small scales. Moreover, there are other physical problems with any Alcubierre-based warp drive, including the need for sending out signals. And we still need the significant amounts of negative mass-energy (and of considerable density). This isn't something we are going to do in our garages. And there may still be physical problems in any proposal (this paper for 1999 summarizes that, though in technical language.)

Nonetheless, there has been some amazing advances in this area in less than 20 years of research (much of it probably not at the forefront of theoretical physics works). In another 20, perhaps the concept can be demonstrated at a small but macroscopic level (if other physical problems can be resolved). We live in exciting times!

Friday, August 31, 2012

Doctor Who - Pond Life

Tomorrow is the premeire of the newest season of Doctor Who, and like many fans I'm excited. As part of the promos, the BBC has been making several vignettes to fill in the gap with what has been happening with the companion couple of the Doctor. All so important because [SPOILERS].

Here are all five of those short videos in order as they were released.











Hope you enjoyed. Now to get ready for Asylum of the Daleks!

Saturday, April 23, 2011

Trust Me, I'm a Doctor (or will be...)

Today is the season premier of Doctor Who, the BBC production started in 1963, continued on TV until 1989, and properly returned in 2005. The show is awesome, and it starts in just a matter of hours. Also, this if the first time an episode has been shot in the USA, and it has something to do with Richard Nixon. Hey, it worked in Watchmen.

Now, if only I had a TARDIS...

Saturday, December 5, 2009

The Advent

Christmas time is fast approaching, and the old story is being told again, along with the celebrations with reindeer, Santa Claus, and of course the Nativity.

But myths have a way of changing with time to better reflect the culture's values. And sometimes the stories change just for the heck of it:



I would guess that Jabba would be King Herod.

So, enjoy hearing the stories of the birth of Jesus. But there is a lot more...


Saturday, October 31, 2009

The Monster

Out of shear appropriateness, I decided to watch some of the classic horror movies from Universal Studies in the 1930s, namely those of the most famous movie monsters, Dracula and Frankenstein. I wish to focus more on the latter, namely because it is the less supernatural and had the greatest intersection with science.

In Bride of Frankenstein (1935), the sequel to the first, a character is introduced known as Dr. Pretorius, who becomes the quintessential mad scientist--white lab coat, fairly long white and unkempt hair, maniacal laughter, and of course little sense of morals with murderous desire. Along with beakers, henchmen, and crazy electrical equipment, the stereotype was complete. Such mad scientists would become a staple in American horror films, especially low budget films (the Ed Wood film Bride of the Monster with Bela Lugosi comes to mind). Of course, Dr. Frankenstein fits into this archetype as well, a scientist that tries to play god. Ultimately, the plans of these crazed men are defeated and the scientist destroyed, often by their own creation. They reap what they sow.

Most importantly, the Frankenstein films have the common theme that there are things that humans should not explore and should not know. This is hardly isolated to the horror genre, since it is also apparent in, say, Jurassic Park. However, when one crosses the ocean, things change.

Instead of American monsters, who are often created by men and defeated by the people or folk wisdom (i.e. Van Helsing fighting off Dracula with folk remedies), and creating an antagonism between science and society or God, let us look to the king of the monsters: Godzilla. This creature is created not by some wilful act a mad scientist but by a military that had used atomic weapons on Japanese cities and tested them in order to possibly use them on the USSR or other nations. The monster is a product of accident and foolishness. Ultimately, the creature is defeated, not by the military, but by science. Dr. Serizawa in his own elaborate laboratory, discovers a secret power in oxygen. However, he tells no one of this "oxygen destroyer" expect his fiancee because he has not yet discovered a constructive use for it. In its current form, it is an awesome power, as terrifying as the bomb itself. Reluctantly, the good doctor cannot stand what Godzilla had done to Tokyo and what it continue to do until it was stopped. Crafting his weapon, Serizawa dives down to where the monster is to be found in Tokyo Bay, uses the weapon to kill Godzilla, and then commits suicide to guarantee that no one can learn how to have this weapon.

In Japan, the scientist is not mad, but is noble, moral, and uses his powers for the good of all. While Dr. Frankenstein discovers a color beyond violet to create life in order to have a society of slaves, Dr. Serizawa discovers a power for the good of all and kills himself to avoid its possible devastation on the world. Could there not be a stronger contrast?

Now, in some later Godzilla movies, the mad scientist plays a role, such as in Godzilla vs. Biollante where a scientist creates a monster out of Godzilla cells, plant cells, and the spirit of his daughter through DNA (?) because plants have psychic powers (???). However, his intentions are not malicious and it is another scientific effort, the creation of cells that will suck the power out of Godzilla, that is a major focus. The true mad scientist stereotype isn't really here.

The point of this contrast is this: in some contexts, the scientist is seen as treading where they do not belong into the territory of the divine; however, in other stories, the scientist is the hero and even kills a god-like creature. This contrast comes across most strongly to me between American and Japanese culture. Similarly, robots in American cinema often has a menacing role (i.e. The Terminator, The Matrix) but the opposite in Japanese film and television (i.e. Gundam, Astro Boy).

Why is this? Perhaps the American culture with a general distrust of authority poo-poos the scientist because they are elitist and think they know better than others when they lack what most consider common sense and morality. In Japan, with so much focus on the honor of being an engineer or scientist, this may be a possible reason for the positive role that scientists have in their entertainment products. It is science that saves the day. Religiosity also has a role in this, since Americans are very religious overall and many claim that morality and social cohesion comes from on high, so treading on that is blasphemous. Japan is more secular, but the relation between the old belief systems and the new ways of thinking I am not familiar enough to say anything. However, the differences are striking, and one must wonder if the effects of society on the movies is reciprocal. In other words, if the movies and TV series paint a different picture of science and scientists, will that change the ways of the society?

Perhaps that is, so maybe shows like House and The Big Bang Theory can change this. It is certainly worth considering.

Monday, July 20, 2009

Moon

Speaking of the anniversary, I was able to see the movie Moon, which was an amazing bit of SciFi. I don't want to give away much, considering how much effort the director took in making the movie unfold the way it did, but it deals with a single person living on the Moon for the sake of harvesting helium for fusion reactors on the Earth. The plot is heavy, but the way it came off was brilliant.

It has been in the theaters for a long while now, so showings are slowly disappearing. I recommend seeing it sooner than later. And how about in two days when the solar eclipse happens?